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<channel>
	<title>rato ao sol</title>
	<link>https://ratoaosol.com</link>
	<description>rato ao sol</description>
	<pubDate>Mon, 03 Nov 2025 16:42:03 +0000</pubDate>
	<generator>https://ratoaosol.com</generator>
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	<item>
		<title>Portada</title>
				
		<link>https://ratoaosol.com/Portada</link>

		<pubDate>Mon, 03 Nov 2025 15:59:07 +0000</pubDate>

		<dc:creator>rato ao sol</dc:creator>

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		<description>A FLOWER OF CHAOS
 38. Kong Shengqi&#38;nbsp;
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	<item>
		<title>Barra Marrón</title>
				
		<link>https://ratoaosol.com/Barra-Marron-1</link>

		<pubDate>Mon, 03 Nov 2025 16:42:03 +0000</pubDate>

		<dc:creator>rato ao sol</dc:creator>

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LATEST INTERVIEWS
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	</item>
		
		
	<item>
		<title>Index</title>
				
		<link>https://ratoaosol.com/Index</link>

		<pubDate>Tue, 21 Oct 2025 09:17:18 +0000</pubDate>

		<dc:creator>rato ao sol</dc:creator>

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		<description>
	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ea30f4111c4af123ec15bdb87f3c8661202fb79a22c3ad331a4529cd4cc93c23/124209_026-copia.jpg" data-mid="250393565" border="0"  src="https://freight.cargo.site/w/1000/i/ea30f4111c4af123ec15bdb87f3c8661202fb79a22c3ad331a4529cd4cc93c23/124209_026-copia.jpg" /&#62;
The Uncanny is a Bird. Simón Sepúlveda
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/1ecdd58a32e2a271f76998462343aa5913d42f47023d5487225044eeafaf2f1d/124209_026.jpg" data-mid="249791846" border="0"  src="https://freight.cargo.site/w/1000/i/1ecdd58a32e2a271f76998462343aa5913d42f47023d5487225044eeafaf2f1d/124209_026.jpg" /&#62;
What Isn’t Given Is Lost. Esther Gatón
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/522a069c88960a32357252e6b38c935e24c8e9c452553cb4b798d061d6ab65da/dd.jpg" data-mid="248114486" border="0"  src="https://freight.cargo.site/w/1000/i/522a069c88960a32357252e6b38c935e24c8e9c452553cb4b798d061d6ab65da/dd.jpg" /&#62;
An Athlete of Language. Catarina Real


	

&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/99a3f0873d2241b4ccc49ed7433c8500e1c3c118577cf1c57b7760d2350f4696/124209_026l_2.jpg" data-mid="245705722" border="0"  src="https://freight.cargo.site/w/1000/i/99a3f0873d2241b4ccc49ed7433c8500e1c3c118577cf1c57b7760d2350f4696/124209_026l_2.jpg" /&#62;
The Highest Form. Diego Kohli
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/15ee51413744e5365e9579ee58f3f53cabdc6ddf57a203d6207394b7cac3ee70/124209_026lk.jpg" data-mid="245110596" border="0"  src="https://freight.cargo.site/w/1000/i/15ee51413744e5365e9579ee58f3f53cabdc6ddf57a203d6207394b7cac3ee70/124209_026lk.jpg" /&#62;
My Skin Doesn’t Fully Load. Lola Zoido
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/3ad4c08e1df4bf7eaacd44b42e8bd020a37909d475a36373a389883e4e441f6b/124209_026l.jpg" data-mid="244822378" border="0"  src="https://freight.cargo.site/w/1000/i/3ad4c08e1df4bf7eaacd44b42e8bd020a37909d475a36373a389883e4e441f6b/124209_026l.jpg" /&#62;
Form in Absence. Raúl Silva



	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/ed0ede2e1efc55625081f409d6fb48f166dc6f91c4d700ec208c26f18cc23cf9/124209_026ll.jpg" data-mid="244250620" border="0"  src="https://freight.cargo.site/w/1000/i/ed0ede2e1efc55625081f409d6fb48f166dc6f91c4d700ec208c26f18cc23cf9/124209_026ll.jpg" /&#62;
As Circle, As Accident, As Stain. Diogo Costa
	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4dbb89dc916cdf2c5aa2badcaa02923f8fd5aa98d92779dbe8dc1dd36b15d536/124209_026l.jpg" data-mid="243364397" border="0"  src="https://freight.cargo.site/w/1000/i/4dbb89dc916cdf2c5aa2badcaa02923f8fd5aa98d92779dbe8dc1dd36b15d536/124209_026l.jpg" /&#62;
On a Time Without Outline. Fernando Moletta
	

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Cage That Becomes A Bird. Sara Reyes

	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a545fc884760448ab7b723989d378f4f9206d2c5b7787dc6a07f0d5a2205b15a/124209_026.jpg" data-mid="241900020" border="0"  src="https://freight.cargo.site/w/1000/i/a545fc884760448ab7b723989d378f4f9206d2c5b7787dc6a07f0d5a2205b15a/124209_026.jpg" /&#62;
A Refuge in Painting. Gema Quiles
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Still Life, Breathing. Dahli Ball
	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fefbe8a3d0d213b31b1c1c9b59296905812ed117ca5b2e26e3fbfb948eacdac4/124209_026_3.jpg" data-mid="239659763" border="0"  src="https://freight.cargo.site/w/1000/i/fefbe8a3d0d213b31b1c1c9b59296905812ed117ca5b2e26e3fbfb948eacdac4/124209_026_3.jpg" /&#62;
The Mind Also Wanders. Iris Sanmartín

	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/6e8ade56a6de8ca8dee1b9e12fc69b21553a002357cabdfe7d4a61005ea7c536/124209_026.jpg" data-mid="239659749" border="0"  src="https://freight.cargo.site/w/1000/i/6e8ade56a6de8ca8dee1b9e12fc69b21553a002357cabdfe7d4a61005ea7c536/124209_026.jpg" /&#62;
A Wound on the Wall. Jose Casas
	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/786321c96eae36ebd9d72d23e38cbaa5298fb041a77f1ff1ac0d5d1892c64d1c/124209_026dd.jpg" data-mid="239659723" border="0"  src="https://freight.cargo.site/w/1000/i/786321c96eae36ebd9d72d23e38cbaa5298fb041a77f1ff1ac0d5d1892c64d1c/124209_026dd.jpg" /&#62;
The Same Line Serves as Cover. Mar Cubero
	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5183a3bd54de159caa6becf1663688e8b7c83252cf579c785d16ae46357c9df2/124209_026_2.jpg" data-mid="239659758" border="0"  src="https://freight.cargo.site/w/1000/i/5183a3bd54de159caa6becf1663688e8b7c83252cf579c785d16ae46357c9df2/124209_026_2.jpg" /&#62;
The Rawness or the Tenderness. Lucía Gutiérrez Vázquez

	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/266363b79098f79acb3c121b16ca2dffaa5c8f4a6300b34fdecc9561bae32d5d/124209_026.d.jpg" data-mid="239659711" border="0"  src="https://freight.cargo.site/w/1000/i/266363b79098f79acb3c121b16ca2dffaa5c8f4a6300b34fdecc9561bae32d5d/124209_026.d.jpg" /&#62;
From Ondulations Risen. Víctor González
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/fe70453251104b82ff9935f39dff157a8f51d00cee75034a43e7f40afe42df61/124209_026.jpg" data-mid="239659755" border="0"  src="https://freight.cargo.site/w/1000/i/fe70453251104b82ff9935f39dff157a8f51d00cee75034a43e7f40afe42df61/124209_026.jpg" /&#62;
On Mirrors, Shadows and Memories. Paula Cervera
	
&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/801ac80511248cc30318d5e487dd08858af48f6814e1ac56f81ea8b07b3d17ae/124209_026.jpg" data-mid="239659751" border="0"  src="https://freight.cargo.site/w/1000/i/801ac80511248cc30318d5e487dd08858af48f6814e1ac56f81ea8b07b3d17ae/124209_026.jpg" /&#62;
The Queen of Trash. Tere Segovia

	
&#60;img width="1830" height="2446" width_o="1830" height_o="2446" data-src="https://freight.cargo.site/t/original/i/4c75fb06e4336db0e524083b4d0c89e60c8d33914347b32a50c58544f710e476/119090_034-2-5.jpg" data-mid="239659670" border="0"  src="https://freight.cargo.site/w/1000/i/4c75fb06e4336db0e524083b4d0c89e60c8d33914347b32a50c58544f710e476/119090_034-2-5.jpg" /&#62;
The Curve Does Not Conform. Juanª Donado Peris
	&#60;img width="1504" height="992" width_o="1504" height_o="992" data-src="https://freight.cargo.site/t/original/i/001fad10c964a2a0191b43f4ebc8b2839fdd4c0c9428c6ffe95334d3285fdf61/Screenshot-2024-02-12-at-20.43.53.png" data-mid="239659528" border="0"  src="https://freight.cargo.site/w/1000/i/001fad10c964a2a0191b43f4ebc8b2839fdd4c0c9428c6ffe95334d3285fdf61/Screenshot-2024-02-12-at-20.43.53.png" /&#62;
Metals, Meteorites and Magic. Salomé Lopes
	&#60;img width="3038" height="4075" width_o="3038" height_o="4075" data-src="https://freight.cargo.site/t/original/i/be3d7b0529e3de7dd36a16434c9a5903d8032a63e4aef45598b379b00935fcd1/Casapuerta1RomaJulia.jpg" data-mid="239659651" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/be3d7b0529e3de7dd36a16434c9a5903d8032a63e4aef45598b379b00935fcd1/Casapuerta1RomaJulia.jpg" /&#62;
The Secret Life of Objects. Fuentesal Arenillas

	&#60;img width="1530" height="2048" width_o="1530" height_o="2048" data-src="https://freight.cargo.site/t/original/i/a19216c92d00408a67d3d542e37248e432926a2f1784f5599c34188589796ebe/124209_026.jpg" data-mid="241081527" border="0"  src="https://freight.cargo.site/w/1000/i/a19216c92d00408a67d3d542e37248e432926a2f1784f5599c34188589796ebe/124209_026.jpg" /&#62;
Dreaming in Loops. Elisa Pardo Puch
	&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/cb1c7d6961db894e34a4f49bdcad050264971a00eca11eb139e680e46d6a3b94/Esther-Gaton-2.jpg" data-mid="239659577" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/cb1c7d6961db894e34a4f49bdcad050264971a00eca11eb139e680e46d6a3b94/Esther-Gaton-2.jpg" /&#62;
A Catching Generosity. Constanza Huerta de Soto
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d6a9973335c312170a31f6dd265804a35b69160063e590ce23e83c5cb8709f4d/IMG_3405.jpg" data-mid="239659643" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d6a9973335c312170a31f6dd265804a35b69160063e590ce23e83c5cb8709f4d/IMG_3405.jpg" /&#62;
Digestive Narratives. María Alcaide

	&#60;img width="2922" height="3896" width_o="2922" height_o="3896" data-src="https://freight.cargo.site/t/original/i/e5c6712a535b3a0fd2322ffe91668331a4efb0708d1d7ded34c9b02a438bcbba/IMG_8372.jpg" data-mid="239659629" border="0"  src="https://freight.cargo.site/w/1000/i/e5c6712a535b3a0fd2322ffe91668331a4efb0708d1d7ded34c9b02a438bcbba/IMG_8372.jpg" /&#62;
An Entanglement of Latex and Polyester Flowers. Maya Pita-Romero
	&#60;img width="3609" height="2522" width_o="3609" height_o="2522" data-src="https://freight.cargo.site/t/original/i/4ac823cc3aba39cb5b36b6650f654a4811ff72931a4b3b62b6ee9186fe72fe05/Madalena_Anjos_Estudio-psicogeografico_Meta-morph_2023_29-7x42cm-2.JPG" data-mid="239659541" border="0"  src="https://freight.cargo.site/w/1000/i/4ac823cc3aba39cb5b36b6650f654a4811ff72931a4b3b62b6ee9186fe72fe05/Madalena_Anjos_Estudio-psicogeografico_Meta-morph_2023_29-7x42cm-2.JPG" /&#62;
What Was, What Is and What Could Be. Madalena Anjos
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3ac029b66fcf402687796aedcf4d08aaa9cafc1e879174b4369589a28f6af1b6/IMG_4586.jpg" data-mid="239659601" border="0"  src="https://freight.cargo.site/w/1000/i/3ac029b66fcf402687796aedcf4d08aaa9cafc1e879174b4369589a28f6af1b6/IMG_4586.jpg" /&#62;
A Frail Monstrosity. Álvaro García

	&#60;img width="2042" height="3007" width_o="2042" height_o="3007" data-src="https://freight.cargo.site/t/original/i/407e738710328f796bf627615226f2cc4f00fdccd5d6e2ca4754aee561bd9d3c/Kerosene-in-my-hands--2023.jpg" data-mid="239659661" border="0"  src="https://freight.cargo.site/w/1000/i/407e738710328f796bf627615226f2cc4f00fdccd5d6e2ca4754aee561bd9d3c/Kerosene-in-my-hands--2023.jpg" /&#62;
An Icon of Metamorphosis. Gabriel Siams
	&#60;img width="1142" height="762" width_o="1142" height_o="762" data-src="https://freight.cargo.site/t/original/i/1d770931e77fb9eb03c5d60c178327151c6a24c2d417bba7d93925a46ae91cad/Edit-8-PEARL-DIVERS-AND-STORYTELLERS-2-1.jpeg" data-mid="239659539" border="0"  src="https://freight.cargo.site/w/1000/i/1d770931e77fb9eb03c5d60c178327151c6a24c2d417bba7d93925a46ae91cad/Edit-8-PEARL-DIVERS-AND-STORYTELLERS-2-1.jpeg" /&#62;
What does a monster look like in a bikini? Lisette van Hoogenhuyze
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/6b5692b18aefcf1d6d46d24fd5f5f49203ae4f2e8c768bcbed67b625a380d989/IMG_5481-2.jpg" data-mid="239659594" border="0"  src="https://freight.cargo.site/w/1000/i/6b5692b18aefcf1d6d46d24fd5f5f49203ae4f2e8c768bcbed67b625a380d989/IMG_5481-2.jpg" /&#62;
Cuteness in Perversity. Carmen Barrueco

	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/98c838a720892d814bc8642c993f1f26a544e248b23451377e748be1692705f4/IMG_7920.jpg" data-mid="239659553" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/98c838a720892d814bc8642c993f1f26a544e248b23451377e748be1692705f4/IMG_7920.jpg" /&#62;
As Time Goes By. Monica Coelho
	&#60;img width="1106" height="1428" width_o="1106" height_o="1428" data-src="https://freight.cargo.site/t/original/i/b1417e88cc654121f6585ecb3f9a4e3e7166bd158e3d78dcd88d27fccf2283cc/Screenshot-2024-02-25-at-13.04.59.png" data-mid="239659538" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b1417e88cc654121f6585ecb3f9a4e3e7166bd158e3d78dcd88d27fccf2283cc/Screenshot-2024-02-25-at-13.04.59.png" /&#62;
Arrows to the Wind. João Motta Guedes
	&#60;img width="928" height="1246" width_o="928" height_o="1246" data-src="https://freight.cargo.site/t/original/i/6df1763dd5f5deb2dd0d3670e5acf0a53bfedd309202a6ab3b7e857e93badcbb/2Screenshot-2025-09-14-at-15.jpg" data-mid="239659747" border="0"  src="https://freight.cargo.site/w/928/i/6df1763dd5f5deb2dd0d3670e5acf0a53bfedd309202a6ab3b7e857e93badcbb/2Screenshot-2025-09-14-at-15.jpg" /&#62;
A Balmy Touch. Hannah Archambault


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a4952f788767b747f224194ed1dd50984f8961fc32ab709ccea66d1868b642a4/IMG_0826.png" data-mid="239659537" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a4952f788767b747f224194ed1dd50984f8961fc32ab709ccea66d1868b642a4/IMG_0826.png" /&#62;
Love Letter to the Unknown in Colour. Raquel Espadinha
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/3d6e2bf33fef7ae7dcf4bd839f0068b948dfdf4d02e576ae9fcf7aabe3096632/IMG_5597-2.jpg" data-mid="239659570" border="0"  src="https://freight.cargo.site/w/1000/i/3d6e2bf33fef7ae7dcf4bd839f0068b948dfdf4d02e576ae9fcf7aabe3096632/IMG_5597-2.jpg" /&#62;
Back to Basics. Carlos Cañadas
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/31c06bc25887cde35892e37d5cdb783a21ec8ccaeb58f97c5f1786fd1d7eacd3/IMG_3894-2.jpg" data-mid="239659584" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/31c06bc25887cde35892e37d5cdb783a21ec8ccaeb58f97c5f1786fd1d7eacd3/IMG_3894-2.jpg" /&#62;
Dear Bed, Dear Suitcase. Camille Gamero-Troung


	&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b1a9cf399621d9f13697acd2e59fe8699ce241848d046b41efac4eb8e8f5ba2b/IMG-20221102-WA0054.jpg" data-mid="239659549" border="0"  src="https://freight.cargo.site/w/1000/i/b1a9cf399621d9f13697acd2e59fe8699ce241848d046b41efac4eb8e8f5ba2b/IMG-20221102-WA0054.jpg" /&#62;
Hands in the Mud. Ignacio González Olmedo and Juanjo Aguilar Orellana
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Footer</title>
				
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